Zao Wou-Ki’s Experimental Prints Debut in Asia at Hong Kong’s M+ Museum

An exhibition featuring the pioneering works of Franco-Chinese artist Zao Wou-Ki opened on Saturday at Hong Kong’s M+ museum, marking the debut of his print collection in Asia. The display highlights Zao's experimental prints, offering a comprehensive look at his artistic progression from early figurative pieces to bold, abstract compositions.

Recognized as a leading figure in lyrical abstraction, Zao Wou-Ki’s works command significant attention in the global art market. The exhibition is organized both chronologically and thematically, allowing visitors to trace his creative journey beginning with early pieces influenced by Chinese calligraphy. These are followed by a striking series inspired by natural elements such as earth, wind, and water, rendered in vibrant colors.

Also on view are Chinese ink works and engravings Zao created to accompany poems by his contemporaries Henri Michaux and Rene Char, underscoring his collaborative spirit and multifaceted talents.

This extensive collection was made possible by a generous donation of over 200 prints and bibliographic materials from the artist’s widow, Françoise Marquet-Zao.

Born in 1920 in a prosperous Chinese banking family, Zao’s passion for art was nurtured through his grandfather’s calligraphy. His formal education at the Hangzhou Fine Arts Academy sparked an interest in European painting styles, which later deepened during his move to Paris in 1948 where he integrated into the French art community.

Yann Hendgen, art director at the Zao Wou-Ki Foundation, explained, "He did not want to be labeled simply as a Chinese painter or to rely on chinoiserie motifs. In Paris, he aspired to be regarded similarly to Pierre Soulages, a leading French painter and graphic artist."

Zao Wou-Ki maintained a strong connection with Hong Kong, a city known for its fusion of East and West. M+ curator Mo Wan noted, "In 1958, Zao taught in Hong Kong for one semester and his impact on the region’s cultural scene has been long-lasting."

This visit was Zao’s first return to Asia since relocating to Paris, providing a renewed engagement with his cultural roots. The period following his stay in Hong Kong marked a pivotal shift towards abstraction in his artistic style.

Zao Wou-Ki passed away in 2013, but this exhibition continues to celebrate his legacy and the transcendence of cultural boundaries through art.